There is an incredible amount of specimen data providing critical information on the natural world, but with less than 10% of the estimated 1.5 billion specimens digitally accessible, who is using this information? Continue reading “Who uses collection data? | Digital Collections Programme”
We have completed digitising the Museum’s birdwing butterfly collection. Images of more than 8000 specimens have been released onto the Museum’s data portal for anyone in the world to access. This digitisation project has enabled us to gather accurate information about what we have within our collection and this new online resource will support conservation plans to protect endangered species for the future.
Since 2015, the Natural History Museum London has made its research and collections data available through its Data Portal. Some important new features have just been added which make it easier for users to reuse this data. Continue reading “Our Evolving Data Portal | Digital Collections Programme”
Over the past year the digital collections team have worked on incredibly varied projects across multiple collections in the Museum. Continue reading “Digitising the Collection in 2018”
Guest Blog by Phaedra Kokkini
This is the second part of the story behind about the ALICE pilot project. While the first part focused on piloting our ‘Angled Label Image Capture and Extraction’ or ALICE, this part will focus on the collection and collector. Quite unexpectedly, while preparing our chosen collection for imaging I got to know a person through his collection of pinned insects. Continue reading ““Mr. Cooper, meet ALICE.” – Part 2 | Digital Collections Programme”
Guest Blog by Phaedra Kokkini
If you visit our Digitisation Team, you might be drawn to one of our more curious imaging setups, the ‘Angled Label Image Capture and Extraction’ or to close friends: ALICE.
ALICE came about through the collaboration of Small Orders Curator Dr Ben Price and Digital Collections Project Manager Dr Steen Dupont in order to automate some of the processes to speed up our pinned insect digitisation.
A peculiar setup that used to feature a bucket and six cameras is now a hexagonal light box with cameras that can image pinned insect specimens at multiple angles to digitally extract the attached labels and could provide a breakthrough to an even faster specimen digitisation.
Dr Steen Dupont describes ALICE
I was very excited to start this project as the first test of ALICE’s true potential. What I didn’t expect was that the collection chosen to test ALICE would reveal some stunning wasps and an intriguing untold story of its previous owner. Continue reading ““Mr. Cooper, meet ALICE.” – Part 1 | Digital Collections Programme”
October 22 – 28, 2018 is International Open Access Week during which collections and educational institutions will be discussing the benefits of giving open access to their data. Continue reading “Open Access Week 2018 | Digital Collections Programme”
Seven illustration and reportage graduates and two tutors from the University of the West of England (UWE) recently visited the Digital Collection Programme. We took them behind the scenes showing them our innovative technology and the entomology and botany collection in order to inspire their love of nature. In return, the artists renewed our creativity and enabled us to see our work with fresh eyes.
‘Witnessing the digitisation process was fascinating and knowing about the digital archive means I have a vast and rich resource to access’ Jay Simpson, UWE graduate
Guest blog by Robyn Crowther, Digitiser
After digitising our parasitic lice, we were looking for another microscope slide collection to digitise using the same methodology, having cut down our imaging time for each slide to 14 seconds. So when the opportunity to digitise the beautiful psyllid slide collection arose, we jumped at the chance. Continue reading “Digitising our jumping plant lice | Digital Collection Programme”
On Friday 28 September we took part in European Researchers Night and tried something new with museum visitors. We have been experimenting with recreating photographs that contain digital specimens in place of the usual pixels. Continue reading “Portraits inspired by data |Digital Collections Programme”