The Natural History Museum Library holds over 30,000 rare books including several named collections that have been acquired through donation, purchase or bequest. One such collection is that of the entomologist Dennis Leston (1917-1981). Comprising just ninety-nine volumes, it is the smallest named collection and was donated to the Museum’s Library by Leston in 1958.Continue reading “The Dennis Leston Collection: Reverend J. G. Wood and natural history in Victorian Britain”
As International Women’s Day drew closer, and with preparations for the move of millions of collections well underway, it got me thinking about the role women played in the original 1881 move of collections from the British Museum in Bloomsbury to the Natural History Museum in South Kensington, as well as their contributions to the early development of the collections and research.Continue reading “Legacies from letters | International Women’s Day 2022”
Museum Archives have the important role of documenting and recording the work of an organisation, as ours have since we opened in 1881. For the Natural History Museum, the Archives also illustrate the role that the collections and staff have had in wider social and cultural history, both nationally and internationally. In this intriguing story from our collections, Assistant Archivist Kathryn Rooke looks at the impact of fashion trends on the natural world, and how our staff contributed to an important change in the law.Continue reading “The Plumage Act and the role of staff at the NHM | Library and Archives”
2019 marks the centenary of women being allowed to join the Geological Society of London (GSL). That women might not be permitted to join any learned society today is unimaginable, and we sometimes take for granted the rights women have in today’s society. But before 1919 women were not only barred from joining the GSL, but had to have their research papers read out at meetings by their male colleague.
This blog, by Consuelo Sendino, attempts to enhance the reputation of a singular woman whose work was sadly neglected until a recent publication (Sendino et al. 2018) sought to correct that injustice and recognise her achievements.
The centenary of the First World War (1914-1918) has generated a great deal of new research. It has brought to the fore stories that have enabled us to learn a lot more about our country’s history, many of which had, until this point, been widely unknown.
Marking this four year period has focused the minds not only of individuals but also businesses and organisations, encouraging us to take a closer look at the affect the Great War had on ordinary lives. The Natural History Museum is one such organisation, and October saw the publication of A Museum at War: Snapshots of life at the Natural History Museum during World War One written by Karolyn Shindler (Library and Archives Associate).
Museum paper conservator Konstantina Konstantinidou handles a large number of items from the Library and Archives collection each year. Each object has differing needs and can offer a variety of challenges in regard to the work needed to be done. In this blog, Konstantina introduces us to an 18th century volume with rather unexpected contents. Continue reading “Patrick Russell’s 18th century volume of Indian serpent skins | Library and Archives”
Dr Isabella Gordon (1901-1988), Crustacea specialist at the Natural History Museum 1928-1966.
A few weeks ago Catherine Booth made an appointment to view material in our reading room for the first time. Catherine has recently retired as Science Curator at the National Library of Scotland and will now able to spend time researching what had became an interest while she was working – the lives and careers of forgotten Scottish female scientists. One of these scientists, Isabella Gordon, drew her to visit the Library and Archives at the Natural History Museum. The following is Catherine’s guest blog.
For Explore Your Archive Week Jordan Risebury-Crisp, Internal Communications Officer at the Museum, recalls how the Hintze Hall redevelopment prompted his own adventure in to the Museum’s past.
The Museum has seen a number of changes in the last few years. In 2015 it was announced that the much beloved and iconic Diplodocus cast, affectionately called Dippy, was to be removed from his position in the Museum’s Hintze Hall where he had stood proudly on display, greeting visitors as they arrived at the Museum for over four decades.
Following Dippy’s departure the entire hall would then undergo a multi-million pound transformation, involving renovation, re-imagining of displays and bringing our Museum into the 21st century; a tough feat to accomplish considering the hall has been open to the public from 1881.
October 23 – 29, 2017 is International Open Access Week and on this tenth anniversary of the event, institutions have been asked to discuss the benefits of making data openly accessible.
Earlier this year, the Natural History Museum signed the International Open Data Accord stating that the Museum recognises the opportunities and challenges of the data revolution and adopts a set of internationally recognised principles support open access to our data. Continue reading “Open Access Week 2017 | Digital Collections Programme”
The scope of the Library collections at the Museum is truly international with many items already having travelled a significant distance to reach us. From the artworks of Cook’s Endeavour voyage, through to the Chinese illustrations of plants collected by John Reeves and the sixteen beautifully illustrated sketchbooks of Olivia Tonge detailing her travels in India, many of the items in our collections have undertaken and survived incredible journeys of their own just getting here.
This is true of a special collection of bound volumes of watercolour illustrations of Nepalese animals that were presented to the Museum by their creator, Brian Houghton Hodgson (1800-1894) the naturalist, ethnologist and founder of the discipline of Himalaya Studies. This blog tells of a very special journey that one of the volumes recently made back to its place of origin. Continue reading “Flying home: a volume of watercolours and its rather special 4,500 mile journey | Library and Archives”