On Friday 28 September we took part in European Researchers Night and tried something new with museum visitors. We have been experimenting with recreating photographs that contain digital specimens in place of the usual pixels. Continue reading “Portraits inspired by data |Digital Collections Programme”
Henry Buckley (1939-2002) is a relatively unknown pioneer in the world of Foraminifera. Buckley was discouraged from publicising his collection, up until recently this collection wasn’t well known in the micropalaeontological community but all that is changing.
The Buckley collection has been digitised and today is helping Museum PhD students to answer questions on evolution. Yale University also plan to use this collection to train new generations of scientists to identify modern planktonic foraminifera and to help develop automatic recognition software in the future.
We have finished imaging more than 5,700 Madagascan butterfly and moth (Lepidoptera) type specimens in the Museum’s collection. Continue reading “A swarm of Madagascan moths to join our online collection| Digital Collections Programme”
This image of Carl Linnaeus has been created from Museum specimens rather than pixels.
The Museum’s Data Portal has passed 4 million specimens, representing around 5% of the Museum’s entire collection.
The Data Portal was launched in December 2014. In addition to Museum specimens, the Data Portal also hosts 5.3 million other research records and over 100 datasets from internal and external authors. The Portal is a platform for researchers to make their research and collections datasets available online for anyone to explore, download and re-use.
European Natural Science collections contain around 1.5 billion specimens representing an estimated 55% of global collections and 80% of the worlds bio- and geo-diversity. Data derived from these collections underpin countless innovations, including tens of thousands of scholarly publications, products critical to our bio-economy, databases, maps and descriptions of scientific observations. Continue reading “Uniting Europe’s 1.5 billion specimens | Digital Collection Programme”
The Museum’s Digital Collections Programme (DCP) was represented at a recent John Ellerman funded Strategy Workshop for UK collections at M Shed in Bristol. The event, coordinated by Isla Gladstone of Bristol City Council Culture Team, brought together a range professionals from across UK museums and related sectors including the UK biological recording community, policy specialists, the BBC Natural History unit and informaticians to discuss the development of a coordinated approach to digitising UK regional museum collections. Continue reading “Borderless Collections – Starting a Collections Community (R)evolution | Digital Collections Programme”
‘Cetacea’ is the collective order for all whales, dolphins and porpoises. We have more than 2,500 specimens in the Museum collection, at least 500 from the UK strandings programme. Cetaceans are great indicators of wider ocean health – if there’s a problem lower in the food chain, e.g. plastic pollution, it concentrates in cetaceans. If cetacean populations are healthy, so are our oceans. Continue reading “What is a Cetacean and why would you scan it? |Digital Collections Programme”
In collaboration with the NGO Ecotourism and Conservation Society Malaysia (ECOMY) we have begun a new digitisation project to digitise the Museum’s collections that occur in Malaysia and its surrounding regions.
This project will image representatives for each species across a range of insect groups and will release the digitised specimens openly on the Museum’s Data Portal. In addition, we will be digitally sharing these specimens and their data to our Malaysian colleagues for use through their own online platforms.
The Digital Collections Programme has completed four crowdsourcing projects in 2017. We wanted to say a massive thank-you to the 2,000+ volunteers who together have helped us to capture data from over 15,000 specimens this year. You have made a significant contribution to Science.
We can digitally image individual microscope slides at a rate of up to 1000 slides per day, but we still need help with capturing the label information on each slide. Transcription is an essential part of our digitisation process.
To commemorate the Wellcome Trust Sanger Institute turning 25 in 2018, the Institute and its collaborators are sequencing 25 new genomes of species that reside in the UK and represent the richness of species in this country. Continue reading “Sequencing genomes with the Museum’s Frozen Collection | Digital Collections Programme”