Preparing Lepidoptera for Digitisation | Digital Collections Programme

We are working to digitise more than half a million British and Irish butterflies and moths. Our three year iCollections project started in 2013, and we have received additional funding from the Cockayne Trust to continue this digitisation work to September 2017.

Photograph from above of a drawer filled with vertical columns of the butterflies pinned to the base, with paper labels in the top and bottom left, and the bottom right.
Original drawer with Mullein (Cuculblia verbasci) specimens.

The mass digitisation of this collection has given Museum scientists the opportunity to study these specimens in new ways. In addition to research carried out in the Museum, digitisation also allows anyone around the world to see the specimens via the Data Portal. Continue reading “Preparing Lepidoptera for Digitisation | Digital Collections Programme”

Why georeferencing is the most important thing for the Museum since sliced bread | Digital Collections Programme

The ‘spatial wealth’ of the Museum’s collections is often ignored or at best under-appreciated. Most specimens if not all have a spatial locality associated with them, either written on to a label, written in a notebook, or on the specimen.

Close crop of a photo of a drawer of pinned clouded yellow butterflies with QR code and hand written labels visible
Digitising the Museum’s collections will let us unlock and share a treasure trove of information about our 80 million specimens

These localities can vary between very precise (e.g. a GPS-based latitude/longitude), very imprecise (e.g. ‘South America’) or, most likely, somewhere in-between. Most specimens within the Museum do not have a latitude and longitude, but do have detailed locality information on the accompanying label, which can be used to define co-ordinates for that specimen. So what is georeferencing, why do we need it, and how do we use it?

Continue reading “Why georeferencing is the most important thing for the Museum since sliced bread | Digital Collections Programme”