As the end of the year draws closer, my mind has cast back to another story about bats… Well it’s not just that I’m obsessed with bats, but I do like sharing good news – in autumn we found that we have two species of bats newly visiting the wildlife garden.
During the week of our Bat Festival and International Bat Night, and through the help of Philip Briggs of the Bat Conservation Trust and tree surgeons Liam and James from Wassells Arboriculture, an Anabat recorder was installed in the lime tree overlooking the pond. This provided us with a new way to register bats visiting our small patch of London.
One of the most important aspects of being a curator is not actually related to the Museum’s collections, but instead it’s ensuring that we encourage others to become interested in the natural world and the role we perform. So, this August gone, I was very lucky to have help from Billy Stockwell, a young wildlife enthusiast, who spent a few days at the Museum for work experience. Here’s his own tale of his time here, which he has kindly given me permission to reblog and I encourage you to read the rest of Billy’s adventures in the world of nature on his own blog:
The Natural History Museum is far more than just a museum. With 80 million specimens straddling 4 billion years of natural history it’s more of a microcosm of mother nature herself; a snippet from each stage of our planet’s life hitherto. Its collections are no less over-whelming, including prehistoric creatures worthy enough to feature in Spielberg’s Jurassic Park, to millions of butterfly specimens whose species inhabit our modern world today.
From a visitor’s perspective the most exciting aspects of the Museum may be the captivating dinosaur exhibition, the butterfly house, or even the Museum’s gift shop. But if you’re brave enough to venture behind the scenes you have another thing coming! And that’s exactly what I decided to do for my work experience a few weeks ago…
Our annual Bat Festival this year follows International Bat Night on 29-30 August. We’ll be teaming up with our partners Bat Conservation Trust and the London Bat Group to celebrate the wonderful world of bats. You can discover many fascinating batty facts including how to help bats in your garden, the diet of bats and how to make a flappy bat.
There will also be an opportunity to see some of the specimens from the Museum’s collection. As we wrote in our Going Batty post last year, curator Louise Tomsett will reveal more about the Museum’s collection of over 30,000 specimens of bats including the importance of their use in research and in the discovery of new species.
Which is very timely because a new species of horseshoe bat has just been described from one of our specimens held in the Museum collections.
A family of long-tailed tits were noisily searching the woodland canopy for insects, as I arrived at work – a welcoming sight and sound! Following a week’s absence from the Garden, the woodland vegetation has changed to a darker green, while the meadows and ponds are now brighter with meadow clary (Salvia verbenaca), bee orchids (Ophrys apifera), and an increased number of oxeye daisies (Leucanthemum vulgare) and common spotted orchids (Dactylorhiza fuchsii). All these are great plants for insects to forage amongst, but what about the native plants good enough for us to eat?
Our resident foodie, forager and wildlife gardener/ecologist, Daniel Osborne, explores some of our edible plants:
“Until about 7,000 years ago, every human that lived in the British Isles hunted and gathered all of their food. They had and shared a rich knowledge of the uses and edibility of the plants in their landscape and were able to sustain themselves throughout the year. They had skills that, through the study of bushcraft and books like Richard Mabey’s Food For Free, I have become confident enough to dabble in. The results have been truly enriching.
In these few paragraphs I do not intend to list all edible native species, share recipes or discuss the health benefits or legality of wild food, as these are covered elsewhere with much more expertise and clarity than I could achieve. Instead I will talk about what thrills me: finding new flavours and connecting with our hunter-gatherer ancestors.
This month it is the turn of Katy Potts to give us an update on the progress of the trainees on the Identification Trainers for the Future project. Since Anthony’s review of their first month with us the trainees have progressed onto Phase 2 of their programme, where their species identification training really starts in earnest and we’ve certainly been keeping them busy! The past two months have been both exciting and enlightening in educating us about the world of biological recording and species identification. It was while I was at Plymouth University that I first discovered species identification in an invertebrate taxonomy module with the ever inspiring entomologist Peter Smithers. It was under Peter’s guidance and teaching that I fell in love with the six legged insects that run our world. Moreover, it was the passion for taxonomy from Peter that inspired me to delve into this field of biology.
Our trainees on the Identification Trainers for the Future project have now finished Phase 1 of their programme and are busy working on Phase 2. During Phase 1 they had the opportunity for a fantastic introduction to the work and collections of the Museum as well as an introduction to biological recording and collections principles.
In Phase 2 they will be focussing more on their identification skills through a series of workshops as well as getting involved in the work of the Angela Marmont Centre for UK Biodiversity. In this blog post Anthony gives an overview of their experiences in Phase 1 as well as looking forward to some of the work he will be doing in Phase 2.
Prior to starting on the ID Trainers for the Future programme, I have already been lucky enough to work at the Museum as a Science Educator for over 4 years and, through my new role as a trainee in the Angela Marmont Centre for UK Biodiversity, I have been given the opportunity to develop new skills, gain experience of practical field work and wildlife recording. Most of all, I have glimpsed the wonderful – exploring the Museum’s scientifically, historically and culturally significant collections behind the scenes.
I couldn’t have asked for a better welcome in the AMC, and the programme for the first phase has been a thoroughly engaging mix of professional development and collections-based training. Besides learning the craft of pinning and identifying insects, I have recieved training on organising field work, field work first aid and how to handle and use biological data with expertise from the National Biodiversity Network.
The rich warbling song of the blackcap has welcomed us into work over the past 2 weeks! (you can hear an Eurasian blackcap, Sylvia atricapilla, as recorded by Patrick Aberg here). Not only that but we’ve had robins nesting just above the threshold of our shed with the accompanying chatter of baby birds anticipating food, holly blue butterflies visiting clusters of fresh holly flowers, sightings of orange tip, brimstone, peacock and speckled wood butterflies, tadpoles in the main pond, the occasional glimpse of a fox cub, and many more signs that Spring has well and truly sprung.
The mosaic of ground flora throughout the different habitats in the Garden is changing by the day with a particular blue haze and glorious scent of bluebells in the woodland areas.
While winter tasks in the Wildlife Garden kept most of us busy outside for the first quarter of the year, these cold months are also a good excuse to hunker down inside and look back at the previous season’s species records, enter new records on our database and consolidate reports on our findings.
As mentioned in one of our early blogs biological recording is carried out – like most activities here – with the help of many volunteers (specialists as well as beginners), and naturally our own scientists, during the course of their working day. Sometimes we enlist the help of aspiring young scientists…
Recording is carried out by observation and surveys. From mosses on walls, rocks and bare ground and the animals that inhabit these miniature forests, to the tree tops where great and blue tits may be spotted feeding on aphids and other small insects in the upper branches, as well as high flying butterflies such as the purple hairstreak that feed off honeydew.
Invertebrate surveys are carried out using a variety of methods including pitfall traps for ground invertebrates, malaise traps for flying insects, and light traps for nocturnal fliers.