
We have finished imaging more than 5,700 Madagascan butterfly and moth (Lepidoptera) type specimens in the Museum’s collection. Continue reading “A swarm of Madagascan moths to join our online collection| Digital Collections Programme”
Blogs from the Natural History Museum
Inspiring a love of the natural world
We have finished imaging more than 5,700 Madagascan butterfly and moth (Lepidoptera) type specimens in the Museum’s collection. Continue reading “A swarm of Madagascan moths to join our online collection| Digital Collections Programme”
We have started digitising the Madagascan moths and butterflies, a project that has been supported by John Franks and the Charles Wolfson Charitable Trust.
This project is different from our previous Lepidoptera digitisation as it is only looking at type specimens.
A type specimen (or in some cases a group of specimens) is an example specimen on which the description and name of a new species is based.
Fleas are some of the oddest insects and sit in a strange position when it comes to how the public feel about them. Fleas are hated for their feeding activities and disease transmission whilst their aesthetics have long been admired thanks to mostly the works of Robert Hooke and his diagrams in Micrographia.
Hooke writes ‘the strength and beauty of this small creature, had it no other relation at all to man, would deserve a description’. Wonderfully phrased, this sentence sums up the feelings I have when looking at these small creatures.
Continue reading “Fleas: their fans, feeding habits and the disease | Digital Collections Programme”
Elphidium williamsoni Haynes, 1973 is a foraminiferal species that has been used extensively in relative sea level and climate change studies, as it is characteristic of intertidal zones. Identifying this and other species of Elphidium has proven difficult because key morphological characteristics show a wide range of variation causing widespread confusion in determinations.
A study led by University of St Andrews PhD student Angela Roberts and recently published in the Journal PloSOne, has gone a long way to clearly define this important foraminiferal species. The study is based on measurements from Museum type specimens as well as genetic studies on contemporary material collected from the same location as the type specimens.
One of the most important aspects of being a curator is not actually related to the Museum’s collections, but instead it’s ensuring that we encourage others to become interested in the natural world and the role we perform. So, this August gone, I was very lucky to have help from Billy Stockwell, a young wildlife enthusiast, who spent a few days at the Museum for work experience. Here’s his own tale of his time here, which he has kindly given me permission to reblog and I encourage you to read the rest of Billy’s adventures in the world of nature on his own blog:
The Natural History Museum is far more than just a museum. With 80 million specimens straddling 4 billion years of natural history it’s more of a microcosm of mother nature herself; a snippet from each stage of our planet’s life hitherto. Its collections are no less over-whelming, including prehistoric creatures worthy enough to feature in Spielberg’s Jurassic Park, to millions of butterfly specimens whose species inhabit our modern world today.
From a visitor’s perspective the most exciting aspects of the Museum may be the captivating dinosaur exhibition, the butterfly house, or even the Museum’s gift shop. But if you’re brave enough to venture behind the scenes you have another thing coming! And that’s exactly what I decided to do for my work experience a few weeks ago…