Over the past year the digital collections team have worked on incredibly varied projects across multiple collections in the Museum. Continue reading “Digitising the Collection in 2018”
Guest blog by Robyn Crowther, Digitiser
After digitising our parasitic lice, we were looking for another microscope slide collection to digitise using the same methodology, having cut down our imaging time for each slide to 14 seconds. So when the opportunity to digitise the beautiful psyllid slide collection arose, we jumped at the chance. Continue reading “Digitising our jumping plant lice | Digital Collection Programme”
On Friday 28 September we took part in European Researchers Night and tried something new with museum visitors. We have been experimenting with recreating photographs that contain digital specimens in place of the usual pixels. Continue reading “Portraits inspired by data |Digital Collections Programme”
The final batch of data from the iCollections project has now been released through the Museum’s Data Portal – a total of 260,000 Lepidoptera specimen records, bringing the total number of Museum specimen records accessible on the Portal to just over 3.8 million.
What was iCollections?
In 2013 the Museum started to look at the best way to digitise Butterflies and Moths from the UK and Ireland, a collection estimated at half a million specimens. This was a pilot project to develop quick and efficient ways to digitise large Museum collections.
During the pilot project we trialled and adapted methods of image capture to suit the specimens, giving us an efficient workflow which can be used to digitise wider pinned insect collections. We place each specimen in a specially designed unit tray, with raised sides where we position the specimen’s labels and add a barcode encoded with the unique specimen number. We place each tray in a light box under a DSLR camera to capture an image containing the majority of specimen data. These images are ingested into a bespoke database, which allows species name and location (within the collection) to be added to the file. The database transcription interface lets us add additional data from labels.
During the iCollections project, we became much more efficient with the time taken to photograph a single specimen, whilst ensuring that the damage to these precious specimens from handling is kept to a minimum. We digitised the entire butterfly collection of over 180,000 specimens and made a significant start on the moths by digitising over 260,000 specimens.
In 2016 we secured further funding to carry on the digitisation of the British and Irish moths with our refined workflow. Once this has been completed, further data will be released on the Data Portal. When complete we will have just over half a million Lepidoptera specimens accessible to anyone in the world with an internet connection. This enhances access to our collection, which traditionally will have been via visits or specimen loans. In some cases the researcher may only require a digital specimen, or the digital records could help a researcher narrow down the scope of what they may want to study on a visit to the museum.
iCollections enabled us to come up with an efficient and bespoke workflow for pinned insects which we have been able to re-use. We have published a paper on the iCollections method, to share this with the natural history community. We have also used the learning from iCollections to start new projects, such as our current project to digitise Madagascan Lepidoptera type specimens.
Why Butterflies and Moths?
The British Lepidoptera collection contains over half a million pinned specimens collected in the UK and Ireland spanning over 200 years. It includes donations from important collectors of the twentieth and twenty-first centuries. As we digitise the Lepidoptera collections we are georeferencing each record, mapping the distribution of species and revealing collecting trends since the mid-nineteenth century.
By providing access to this unrivalled historical, taxonomic and geographical data we can equip more scientists to conduct new research in new ways. For example, Museum scientists, Steve Brooks et al. have been able to compare butterfly data to historical temperature records and found that 92% of the 51 species emerged earlier in years with higher spring temperatures.
‘The warming climate is already causing butterflies to emerge earlier – and unless their food plants adapt at the same rate, the insects could emerge too early to survive.’ (S.Brooks et al., 2016)
When it comes to digitising Lepidoptera, our digitisers can now process up to 300 a day. They get to see and interact with the specimens up close and become extremely fast with a pair of forceps! Our digitiser Peter Wing told us “My favourite image to digitise was a Monarch Butterfly that was pinned with a sewing needle.” While digitising, we uncover some fascinating stories behind the collection. We have been sharing some of these enlightening moments by using #MothMonday on twitter.
Who’s using our data?
We are on a mission to digitise the Museum collection of 80 million specimens. We want to make available our unrivalled historical, geographic and taxonomic specimen data gathered in the last 250 years available to the global scientific community. These data, along with associated specimen images are released through the Museum’s Data Portal.
Through the Data Portal and those of our partners like the Global Biodiversity Information Facility (GBIF), more than 5.9 billion records have been accessed in over 115,500 downloads since April 2015. Through GBIF we are also able to see which scientists are using our data as part of their papers and through Altmetric how many people are talking about our data online. So far we have been cited in 44 papers and referenced over 100 times online.
The Data Portal currently has around 200 non-museum users each day and contains more than 700,000 species-level (index lot) records and over 90 research datasets uploaded by NHM staff and other institutions. This includes 3D scans, images and audio recordings as well as more traditional data.
Critical information is currently locked away within hundreds of millions of specimens, labels and archives in collections across the globe. Our ultimate goal is to unlock this treasure trove of information so that scientists, researchers and data analysts from around the world can use this information to tackle some of the big questions of our time.
To make use of the Museum’s iCollections data please visit the Data Portal To hear more stories behind the Lepidoptera collection you can follow our #MothMonday content on twitter or keep up to date with the Museum’s digitisation projects on the website.
On the 19-22 October, the Museum will be running a digital volunteering event in collaboration with the third annual WeDigBio event. WeDigBio is a four day event that engages global participants online and on-site in digitising natural history collections. Continue reading “We need your help to set our collections data free! |Digital Collections Programme”
We are in the process of digitising the Museum’s parasitic louse (Phthiraptera) collection, which consists of around 73,000 microscope slides. The collection is one of the largest – and the most taxonomically comprehensive – in the world.
Lice are permanent ectoparasites, meaning they live on the outside of their bird and mammal hosts. They are highly host specific, with the majority of the ~5,000 louse species being unique to a particular host species of mammals and birds.
Our previous blog post looked at preparing the Lepidoptera for digitisation. In this post, we will look at the second part of the digitisation process; the imaging and transcription that allows data to be set free and accessed by the global science audience on the Museum’s Data Portal.
Let’s find out what’s involved and why it’s leading to new ways of accessing and using the information in our collections. Continue reading “Our butterfly and moth data takes flight! | Digital Collections Programme”
The idea for #MuseumInstaSwap began after Londonist listed their 10 best London museums on Instagram. On seeing such a variety of museums, each with fascinating Instagram feeds, we all knew there had to be an exciting way to collaborate and share our content.
The 10 museums taking part – representing a diverse range of subjects and sizes – have paired up to take part in a week-long cultural exchange to reveal our collections in a new light. Continue reading “See London’s museums from a different perspective with #MuseumInstaSwap | Take Part”