Over the past year the digital collections team have worked on incredibly varied projects across multiple collections in the Museum. Continue reading “Digitising the Collection in 2018”
Guest Blog by Phaedra Kokkini
This is the second part of the story behind about the ALICE pilot project. While the first part focused on piloting our ‘Angled Label Image Capture and Extraction’ or ALICE, this part will focus on the collection and collector. Quite unexpectedly, while preparing our chosen collection for imaging I got to know a person through his collection of pinned insects. Continue reading ““Mr. Cooper, meet ALICE.” – Part 2 | Digital Collections Programme”
Guest Blog by Phaedra Kokkini
If you visit our Digitisation Team, you might be drawn to one of our more curious imaging setups, the ‘Angled Label Image Capture and Extraction’ or to close friends: ALICE.
ALICE came about through the collaboration of Small Orders Curator Dr Ben Price and Digital Collections Project Manager Dr Steen Dupont in order to automate some of the processes to speed up our pinned insect digitisation.
A peculiar setup that used to feature a bucket and six cameras is now a hexagonal light box with cameras that can image pinned insect specimens at multiple angles to digitally extract the attached labels and could provide a breakthrough to an even faster specimen digitisation.
Dr Steen Dupont describes ALICE
I was very excited to start this project as the first test of ALICE’s true potential. What I didn’t expect was that the collection chosen to test ALICE would reveal some stunning wasps and an intriguing untold story of its previous owner. Continue reading ““Mr. Cooper, meet ALICE.” – Part 1 | Digital Collections Programme”
Seven illustration and reportage graduates and two tutors from the University of the West of England (UWE) recently visited the Digital Collection Programme. We took them behind the scenes showing them our innovative technology and the entomology and botany collection in order to inspire their love of nature. In return, the artists renewed our creativity and enabled us to see our work with fresh eyes.
‘Witnessing the digitisation process was fascinating and knowing about the digital archive means I have a vast and rich resource to access’ Jay Simpson, UWE graduate
Bombus hortorum also known as the garden bumblebee displays a wide range of colour forms.
A bumblebee is any one of over 250 species in the Bombus genus, whose name derives from the Latin for a buzzing or humming sound. We have been digitising the Museum’s collection of British Bumblebees in order to release a new resource to those researching and working with Bees globally. Continue reading “Digitising British Bumblebees |Digital Collections Programme”
This image of Carl Linnaeus has been created from Museum specimens rather than pixels.
The Museum’s Data Portal has passed 4 million specimens, representing around 5% of the Museum’s entire collection.
The Data Portal was launched in December 2014. In addition to Museum specimens, the Data Portal also hosts 5.3 million other research records and over 100 datasets from internal and external authors. The Portal is a platform for researchers to make their research and collections datasets available online for anyone to explore, download and re-use.
Sir Joseph Banks, Born 24 February 1743 was a collector of natural history specimens. He was an avid botanist and his collection included a significant collection of insects. Continue reading “Bringing Joseph Banks into the 21st Century | Digital Collection Programme”
In collaboration with the NGO Ecotourism and Conservation Society Malaysia (ECOMY) we have begun a new digitisation project to digitise the Museum’s collections that occur in Malaysia and its surrounding regions.
This project will image representatives for each species across a range of insect groups and will release the digitised specimens openly on the Museum’s Data Portal. In addition, we will be digitally sharing these specimens and their data to our Malaysian colleagues for use through their own online platforms.
Our trainees on the Identification Trainers for the Future project are now well into Phase 2 of their traineeship. Phase 2 is the section where our trainees spend much of their time developing their species identification skills, working with our curators through a series of specialist workshops, as well as helping out in the Angela Marmont Centre for UK Biodiversity with everything from the Identification and Advisory Service, to getting out and about at events. In this first blog from Phase 2, Steph Skipp gives us an overview of how the first half of the traineeship has gone.
To begin our workshop phase, the ID Trainers had a crash course in lichens. April was in her element, having previously discovered the wonders of peatland lichens whilst working in Exmoor National Park. In contrast, I think the rest of us were taken aback by how interesting lichens actually are!
The wealth of colours and forms were very visually exciting, especially under a microscope. After a trip to Bookham Commons, we came back to the lab with some specimens.
Fly expert Duncan Sivell and forensic entomologist Martin Hall were with host Camilla Tham discussing the many ways in which flies (and their maggots!) are important. From helping the police to identify time of death at a crime scene to pollinating many key crops – and even producing a Sardinian cheese – we’re more dependent on flies than you might imagine.
If you are enjoying this series, please leave us a review in iTunes as it really helps others find the feed. We will be back with more studio-based shows in August 2017 but over the next three weeks we’ll be bringing you a series of special events to celebrate the reopening of the Museum’s main space with its new displays, Hintze Hall. Follow us on Facebook and Twitter to find out more details.