At the Natural History Museum, London, we provide global open access by default and share our digital collections data on the Museum’s Data Portal.Continue reading “Addressing planetary challenges with open data”
In this blog, we’re looking at a recent paper that cited some of our data in investigating the conservation potential of protected areas of rainforest using data on the Woolly monkey (Lagothrix lagothricha).Continue reading “Data in action: museum collections provide evidence for protecting rainforests | Digital Collections Programme”
A guest blog by Galina Jönsson
Digital Collections support over 1000 scientific papers
The Museum’s Data Portal was launched in December 2014 to provide access to Museum collections and research, enabling to explore, download and re-use these data for their own purposes. Museum collections include specimens collected over the last 200 years, a critical time period, during which humans have had a major impact on the distribution of biodiversity.
Since 2015, more than 1000 research papers have cited data from the Data portal and partner platforms like the Global Biodiversity Information Facility (GBIF), covering topics including agriculture, biodiversity, evolution, ecology, species distributions and human health. This blog looks at just one of the studies using Museum data, PhD candidate Galina Jönsson’s research using data to examine how human activity has impacted butterfly populations over the 20th Century.
Insects are declining at alarming rates, but we do not precisely know why. From wasps to butterflies, Galina is looking for answers in the Museum’s pinned insect collection and extending time series to span the period of accelerating human pressures like agricultural intensification and deforestation. ‘At first glance, my results suggested that British insects fared pretty well, but I quickly realised there is much more to this than meets the eye.’
Blame eccentric Victorians or lazy statisticians?
Natural history collections’ pinned insect specimens have revealed fascinating changes over the last centuries but have rarely been used to map how, and why, some species increase while other decrease. Nearly everything we know about insect responses to human activities comes from survey data collected by national schemes like the UK Butterfly Monitoring Scheme (UKBMS), which was launched in 1976. One of the benefits of using survey data is that it is standardised, meaning that all species at a particular location are recorded in the same way, at the same time of the year, for multiple years in a row. This makes it easy to compare how different species change in population or geographical location over the years. In the UK, which is unusually well-documented, our knowledge from such survey data is limited to the period since 1970. This period falls after most large-scale transformations of the British landscape such as the agricultural intensification of the 1950s with its deforestation and increased pesticide-use. As a result, we find ourselves without baselines reflecting the state of biodiversity prior to major human pressures.
In contrast to survey data, museum specimens do go back much further in time to give us these baselines – but they were not systematically sampled. This challenges conventional statistics. Labels inform us where and when specimens were collected, but not how. Just like millennial houseplant enthusiasts, Victorian bug collectors had individual preferences. Some travelled far to collect one specimen of every species, others collected every tiny variation within their favourite species. Some collectors were working scientists, but a lot of the collection comes from amateurs and those that collected as a hobby, so the type of specimens and data that was recorded also varies due to the collector.
Ambitious digitisation projects are making collections available with the click of a button; and in addition, now, citizen science projects generate enormous amounts of contemporary data in addition to data from collections and systematic surveys. Smartphone applications let anyone submit wildlife sightings in seconds but, just as collections reflect eclectic Victorians, citizen scientists’ preferences introduce their own set of biases to the data. We need new statistical models to extract the valuable yet varied information museum specimens, survey data and citizen science sightings hold, but the models also need to handle their respective biases.
The European hornet (Vespa crabro) and its distribution in the UK over the last 120 years.
Solving the statistical riddle
As a masters student, I naturally felt drawn to solving the statistical riddle and embarked on modelling social wasp trends using the Museum’s collection alongside survey data from the Bees Wasps and Ants Recording Society. Our study extended existing trends by 70 years, and indicated that agricultural intensification drove a 70% decline in English hornets (Vespa crabro) between 1950 and 1970. This was followed by a northward range expansion facilitated by climate change-induced warming. Today, hornets have bounced back to 1950-levels in terms of numbers but are more sparsely distributed over a larger area. Through this study, we demonstrated that specimen data from collections can produce long-term population trends, but thoroughly addressing questions of human influence requires more museum data, both species and specimens per species.
And in flew century-old butterfly specimens, forming the basis of my PhD research. In the interest of honesty, perhaps I should say ‘in flew iCollections’, NHM’s pilot mass digitisation project that digitised over half a million British butterflies and moths.
My current research explores temporal patterns of British butterfly trends across centuries, looking at how the timings of major changes to butterflies coincide with habitat changes, and how species-specific characteristics affect population-level change. There are 59 British butterfly species; another five species have become extinct in the last 150 years. Butterflies are sensitive to temperature and weather conditions, and caterpillars are picky eaters, some accept nothing but one specific host plant. These factors render them particularly vulnerable to, and simultaneously good indicators of, greater habitat and climate changes.
Generalisations hide uncomfortable truths
After a couple of years formulating the perfect model (hint: there is no such thing as a ‘perfect model’), I summarised the trends across all British butterfly species. The preliminary results were surprising. Averaging across species, there has been a 15% decrease since 1900. But we know that humans have extensively altered 75% of Earth’s surface, so this had me wondering – is a 15% decrease over 120 years really that bad?
Next, I grouped species according to whether they are specialists requiring specific habitats (the picky eaters) or generalist wider countryside species that can use a range of habitats. The generalist species nearly doubled since 1900, whilst the specialists had halved. Separating specialists from generalists also showed that the most dramatic changes occurred before the 1970s baseline that many recording schemes give us. Just like the hornets, specialist butterflies started to plummet around 1950, but in contrast to hornets, they did not recover after 1970. It appears that agricultural intensification in the 1950s triggered the troubling subsequent declines (or at least was the straw that broke the specialist’s thorax). Wider countryside species also began expanding in the 1950s, and this expansion continued into the 2000s.
What is wrong with generalists?
Overall, preliminary results show that we’ve lost around 15% of British butterflies since 1900. Specialised species have plummeted, but generalist wider countryside species are making up for the losses. Sometimes people ask ‘what is wrong with generalists?’ – does it really matter which butterfly species are in the ascendant? It all comes down to biodiversity. The diversity of life on Earth, which we need for human well-being, prosperity and ultimately, survival.
Species richness is the number of different species in an area, a way of measuring biodiversity. When the number of species thriving in an area declines or becomes unbalanced, certain species that are doing well can come to increasingly dominate the area. The species that can’t adapt are put under further pressure from the increasing generalist species eating their food or nesting in their areas. A change to the delicate balance of the species in an area can reduce biodiversity and species richness, cause extinctions and dramatically change ecosystems.
The wall butterfly (Lasiommata megera) distribution change over 20th century
However, is it fair to divide all butterflies into either habitat generalist or specialists? And assume that, within each group, every species shows the same long-term trends? Although a habitat-use separation can give useful indications, the reality is much more complex. For instance, the wall butterfly (Lasiommata megera) has suffered worrying declines despite enjoying a variety of habitats. With rising temperatures, the cold-loving wall butterfly has been forced northwards and risks joining the list of butterflies that are extinct in Britain, when it reaches John O’Groats. Biologists often divide species by habitat-use, but the dramatic decline of the wall butterfly shows us that every species has its own particular quirks, extending beyond habitat-use. In addition to temperature-tolerance, species differ in a number of characteristics like their reproduction strategies (for example, many tiny eggs but few survive or a few huge eggs with high survival), the ease with which they find a mate, and how strong flyers they are (which determines if they can colonise new habitats). I am currently using several such species-specific characteristics to identify combinations of characteristics that predispose species to being particularly vulnerable and give others the ability to rapidly expand.
Natural history collections’ specimens are vital to gather the data needed to extend time series of species’ trends to periods prior to extensive anthropogenic pressures and provide important novel insights into our effects on biodiversity. However, most specimens world-wide are relatively inaccessible to research, hidden away in undigitised collections. Mobilising digitisation projects that provide open access to this important biodiversity data will allow us to refine models, produce more accurate future projections, and make effective conservation decisions to bend the curve of global biodiversity loss.
We would love to hear from you if you are using data from data.nhm.ac.uk please get in touch or stay up to date with Digital Collections news by following us on Twitter and Instagram. Keep up to date with our blog posts for more examples of our data in action.
If you are spotting butterflies this summer please log your findings on a recording scheme so that researchers like Galina can make use of your work. You can also follow Galina on Twitter to keep up with her research.
A guest blog by Nicola Lowndes
Adults of these species are attracted to the light of a moth trap of course! In this instance I am not referring to the Common Swift bird (Apus apus) that is seen carrying out impressive aerial displays in summer but instead to the beautiful Common Swift moth (Korscheltellus lupulina).Continue reading “What do the Common swift, Cockchafer and Caddisfly all have in common? | Digital Collections Programme”
It’s been a year since we had to first close the doors of the Museum due to the pandemic, and like the rest of our colleagues, the Digital Collections Programme (DCP) team have adjusted to the world of video calls, furlough and working from home. Despite these challenges, in 2020 the team imaged 72,000 specimens, transcribed data from 85,000 specimens and georeferenced 17,000 specimens, giving us plenty of progress to reflect on from this challenging year. Over 25 billion data records have now been downloaded from the Data Portal and GBIF in over 360,000 download events, and remote working has only further highlighted the pertinence of digitising collections and making them accessible to the world.Continue reading “The Digital Collections Programme in a year like no other | Digital Collections Programme”
A guest blog by Robyn Crowther
Ephemeroptera (mayflies), Plecoptera (stoneflies) and Trichoptera (caddisflies) – or EPT for short – are three orders of insects found in freshwater systems across the world. These three key groups are important bioindicators, meaning that their presence and the size of their populations can give us an idea about the health of a freshwater habitat. There are approximately 89,000 specimens in the Museum’s EPT collection, and the Digital Collections Programme (DCP) are in the process of digitising them. Mobilising this data will aid research being undertaken by the International Union for Conservation of Nature (IUCN), to further our understanding of EPT distribution and assess these species’ vulnerability to extinction.Continue reading “Digitisation on demand: riverflies and redlists | Digital Collections”
Access to natural history collections can be added to the ever-growing list of things that became virtual in 2020. Along with virtual coffee breaks, virtual meetings and the ubiquitous virtual pub quizzes, SYNTHESYS+ users are now able to request Virtual Access to natural history collections.Continue reading “Digitisation on demand: mobilising natural history data to address society’s biggest challenges”
We have completed digitising the Museum’s birdwing butterfly collection. Images of more than 8000 specimens have been released onto the Museum’s data portal for anyone in the world to access. This digitisation project has enabled us to gather accurate information about what we have within our collection and this new online resource will support conservation plans to protect endangered species for the future.
Over the past year the digital collections team have worked on incredibly varied projects across multiple collections in the Museum. Continue reading “Digitising the Collection in 2018”
Bombus hortorum also known as the garden bumblebee displays a wide range of colour forms.
A bumblebee is any one of over 250 species in the Bombus genus, whose name derives from the Latin for a buzzing or humming sound. We have been digitising the Museum’s collection of British Bumblebees in order to release a new resource to those researching and working with Bees globally. Continue reading “Digitising British Bumblebees |Digital Collections Programme”