Our butterfly and moth data takes flight! | Digital Collections Programme

Our previous blog post looked at preparing the Lepidoptera for digitisation. In this post, we will look at the second part of the digitisation process; the imaging and transcription that allows data to be set free and accessed by the global science audience on the Museum’s Data Portal.

Photo showing a DSLR camera on a mount, with a tray containing a pinned butterfly speciment beneath the lens. The butterfly and accompanying scale bar and labels is visible on a computer screen to the right.
The imaging equipment set up to digitise the Lepidoptera collection

Let’s find out what’s involved and why it’s leading to new ways of accessing and using the information in our collections. Continue reading “Our butterfly and moth data takes flight! | Digital Collections Programme”

Preparing Lepidoptera for Digitisation | Digital Collections Programme

We are working to digitise more than half a million British and Irish butterflies and moths. Our three year iCollections project started in 2013, and we have received additional funding from the Cockayne Trust to continue this digitisation work to September 2017.

Photograph from above of a drawer filled with vertical columns of the butterflies pinned to the base, with paper labels in the top and bottom left, and the bottom right.
Original drawer with Mullein (Cuculblia verbasci) specimens.

The mass digitisation of this collection has given Museum scientists the opportunity to study these specimens in new ways. In addition to research carried out in the Museum, digitisation also allows anyone around the world to see the specimens via the Data Portal. Continue reading “Preparing Lepidoptera for Digitisation | Digital Collections Programme”

Visiteering with WeDigBio and the Department for Transport | Digital Collections Programme

Visiteering offers one day volunteering opportunities to the public, linking our Museum narratives to a series of set ‘challenges’ relating to our collections. On 20 October we completed our first collaborative Visiteering session to coincide with a worldwide transcription event run by WeDigBio.

Photo showing Margaret standing on the right hand side speaking to a group of people sitting in a semi-circle around her.
Margaret explains the importance of digitising our collections to the Dangerous Goods Group from the Department of Transport

WeDigBio, is a four day event that engages global participants online and onsite in digitising natural history collections. Although our main focus was our Visiteers in the lab for a day, we also encouraged other visitors to the museum to engage in the project via posters with QR codes and promoted a worldwide audience to get involved with blogposts and social media promotion prior, during and post event.

Continue reading “Visiteering with WeDigBio and the Department for Transport | Digital Collections Programme”

At the International Congress of Entomology | Digital Collections Programme

This October, several colleagues from the insects division of the Museum attended the 25th International Congress of Entomology (ICE2016), an event that is held every four years. This year’s took place in Orlando, Florida with the theme “entomology without borders.” The Museum’s Vince Smith writes about his experiences at the world’s biggest entomological conference.

Photo of a lake plus fountain in front of trees and the convention centre building
Part of the cavernous Orange County Convention Center which hosted ICE2016

With 6,682 delegates from 102 countries, giving a staggering 5,396 presentations, the plenary sessions were more like attending a football match (in scale if not in tone) than a scientific meeting! This is the largest conference I’ve ever attended – my heartfelt congratulations to the organisers for ensuring ICE2016 ran smoothly.

Continue reading “At the International Congress of Entomology | Digital Collections Programme”

Past legacy sheds light on the future | Digital Collections Programme

The butterflies and moths amassed by avid collectors Dr EA Cockayne, Dr HBD Kettlewell and Lord Walter Rothschild make up the core of the Museum’s world famous collection of British and Irish Lepidoptera.

lycaena-phlaeas-2000
Small copper butterflies that have been digitised and rehoused as part of the project

The Museum is digitising the Lepidoptera collection and using the data to ask important scientific questions about the effects of environmental change. Dr Cockayne passion led him to form the Cockayne Trust for Lepidoptera research, his legacy is funding the digitisation.

Continue reading “Past legacy sheds light on the future | Digital Collections Programme”

Going digital! New crowdsourcing project launched | Miniature Lives Magnified

Be a digital volunteer for the Museum and help transcribe scientific data from microscope slides… We are so very excited to launch our latest citizen science project Miniature Lives Magnified.

As part of our Digital Collections Programme,  we have imaged 100,000 microscope slides of some of the world’s smallest insects and we need your help to unlock the data from the specimen labels, so that we can uncover more of nature’s secrets.

Rectangular glass microscope slide, with old handwritten labels.
Spot the wasp: we have 6,000 microscope slides of Chalcid wasps, that we would like you to help us to transcribe data from.

In partnership with our good friends from the online crowdsourcing platform Notes from Nature, today we launch our first collection called ‘The killer within: wasps but not as you know them’.

Continue reading “Going digital! New crowdsourcing project launched | Miniature Lives Magnified”

Global digital collections | Digital Collections Programme

talk
Deborah Paul presenting on the Global Biodiversity Information Facility

Ben Price and Douglas Russell blogged recently about presentations by Museum colleagues at the Annual Meeting of the Society for the Protection of Natural History Collections (SPNHC) in Berlin, noting that delegates were passionate about the potential of digitisation to help us illustrate, research and understand our changing world. As well as presenting, we learned a lot from the other presenters and attendees, picking up some themes which are particularly relevant to our Digital Collections Programme (DCP).

Continue reading “Global digital collections | Digital Collections Programme”

Digital butterfly data takes flight | Digital Collections Programme

The Museum’s entire collection of  181,545 British and Irish butterflies are now in a digital form and available for all to see online in the Museum’s Data Portal.

Photo from overhead of the drawer containing 9 columns of brightly coloured butterflies with their accompanying QR code labels.
A specimen drawer of common clouded yellow butterflies (Colias croceus). The new barcodes created as part of the Museum’s iCollections digitisation project are visible.

Each butterfly has a new digital image and digital record of the specimen’s collector, place and date of collection and this data are already being used to work out the effects of climate change on UK butterflies.

Continue reading “Digital butterfly data takes flight | Digital Collections Programme”

Bringing fossils into the digital age | Digital Collections

What do an Iguanodon’s thumb spike, an ichthyosaur paddle and a shark fin spine all have in common? Well these are just some of the specimens we’ve digitised as part of the museum’s eMesozoic project, headed by Fossil Mammal Curator Dr Pip Brewer.

Hypsilophodon foxii,
An Early Cretaceous dinosaur Hypsilophodon foxii, from Brightstone Bay Isle of Wight, one of the images taken as part of the eMesozoic project.

For the past eight months myself and two other eMesozoic digitisers, Lyndsey Douglas and David Godfrey, have been busy in the palaeontology department mass imaging British Mesozoic vertebrates for the first time.

Continue reading “Bringing fossils into the digital age | Digital Collections”

Why georeferencing is the most important thing for the Museum since sliced bread | Digital Collections Programme

The ‘spatial wealth’ of the Museum’s collections is often ignored or at best under-appreciated. Most specimens if not all have a spatial locality associated with them, either written on to a label, written in a notebook, or on the specimen.

Close crop of a photo of a drawer of pinned clouded yellow butterflies with QR code and hand written labels visible
Digitising the Museum’s collections will let us unlock and share a treasure trove of information about our 80 million specimens

These localities can vary between very precise (e.g. a GPS-based latitude/longitude), very imprecise (e.g. ‘South America’) or, most likely, somewhere in-between. Most specimens within the Museum do not have a latitude and longitude, but do have detailed locality information on the accompanying label, which can be used to define co-ordinates for that specimen. So what is georeferencing, why do we need it, and how do we use it?

Continue reading “Why georeferencing is the most important thing for the Museum since sliced bread | Digital Collections Programme”