Our previous blog post looked at preparing the Lepidoptera for digitisation. In this post, we will look at the second part of the digitisation process; the imaging and transcription that allows data to be set free and accessed by the global science audience on the Museum’s Data Portal.
We are working to digitise more than half a million British and Irish butterflies and moths. Our three year iCollections project started in 2013, and we have received additional funding from the Cockayne Trust to continue this digitisation work to September 2017.
Visiteering offers one day volunteering opportunities to the public, linking our Museum narratives to a series of set ‘challenges’ relating to our collections. On 20 October we completed our first collaborative Visiteering session to coincide with a worldwide transcription event run by WeDigBio.
WeDigBio, is a four day event that engages global participants online and onsite in digitising natural history collections. Although our main focus was our Visiteers in the lab for a day, we also encouraged other visitors to the museum to engage in the project via posters with QR codes and promoted a worldwide audience to get involved with blogposts and social media promotion prior, during and post event.
This October, several colleagues from the insects division of the Museum attended the 25th International Congress of Entomology (ICE2016), an event that is held every four years. This year’s took place in Orlando, Florida with the theme “entomology without borders.” The Museum’s Vince Smith writes about his experiences at the world’s biggest entomological conference.
With 6,682 delegates from 102 countries, giving a staggering 5,396 presentations, the plenary sessions were more like attending a football match (in scale if not in tone) than a scientific meeting! This is the largest conference I’ve ever attended – my heartfelt congratulations to the organisers for ensuring ICE2016 ran smoothly.
The butterflies and moths amassed by avid collectors Dr EA Cockayne, Dr HBD Kettlewell and Lord Walter Rothschild make up the core of the Museum’s world famous collection of British and Irish Lepidoptera.
The Museum is digitising the Lepidoptera collection and using the data to ask important scientific questions about the effects of environmental change. Dr Cockayne passion led him to form the Cockayne Trust for Lepidoptera research, his legacy is funding the digitisation.
Be a digital volunteer for the Museum and help transcribe scientific data from microscope slides… We are so very excited to launch our latest citizen science project Miniature Lives Magnified.
As part of our Digital Collections Programme, we have imaged 100,000 microscope slides of some of the world’s smallest insects and we need your help to unlock the data from the specimen labels, so that we can uncover more of nature’s secrets.
In partnership with our good friends from the online crowdsourcing platform Notes from Nature, today we launch our first collection called ‘The killer within: wasps but not as you know them’.
Ben Price and Douglas Russell blogged recently about presentations by Museum colleagues at the Annual Meeting of the Society for the Protection of Natural History Collections (SPNHC) in Berlin, noting that delegates were passionate about the potential of digitisation to help us illustrate, research and understand our changing world. As well as presenting, we learned a lot from the other presenters and attendees, picking up some themes which are particularly relevant to our Digital Collections Programme (DCP).
The Museum’s entire collection of 181,545 British and Irish butterflies are now in a digital form and available for all to see online in the Museum’s Data Portal.
Each butterfly has a new digital image and digital record of the specimen’s collector, place and date of collection and this data are already being used to work out the effects of climate change on UK butterflies.
What do an Iguanodon’s thumb spike, an ichthyosaur paddle and a shark fin spine all have in common? Well these are just some of the specimens we’ve digitised as part of the museum’s eMesozoic project, headed by Fossil Mammal Curator Dr Pip Brewer.
For the past eight months myself and two other eMesozoic digitisers, Lyndsey Douglas and David Godfrey, have been busy in the palaeontology department mass imaging British Mesozoic vertebrates for the first time.
The ‘spatial wealth’ of the Museum’s collections is often ignored or at best under-appreciated. Most specimens if not all have a spatial locality associated with them, either written on to a label, written in a notebook, or on the specimen.
These localities can vary between very precise (e.g. a GPS-based latitude/longitude), very imprecise (e.g. ‘South America’) or, most likely, somewhere in-between. Most specimens within the Museum do not have a latitude and longitude, but do have detailed locality information on the accompanying label, which can be used to define co-ordinates for that specimen. So what is georeferencing, why do we need it, and how do we use it?