I can’t believe the last 12 months have flown by so quickly! Our first 5 trainees on the Identification Trainers for the Future project have now completed their traineeship with us and have been released into the wilds of the UK’s biodiversity sector, only now it’s with a whole host of new skills and a wealth of experience under their belts.
Curation is a key part of the Identification Trainers for the Future programme and over the past 2 months the trainees have been on placement in the Museum collections learning how best to preserve the historical and ecological information held within them. Following on from Anthony’s review of his time with the Odonata collections, Sally Hyslop brings us up to speed with her own project:
My curation placement is in the British and Irish Herbarium, working alongside Mark Spencer, the senior curator of this impressive catalogue of pressed plant specimens.
Each specimen in the herbarium holds information – whether it be from the DNA stored within the plants themselves waiting to be extracted and studied, or the historical annotations which depict the collection event itself. All specimens in the collection have a label describing the all-important who, what, where and when.
The date, location, name of the collector and the collector’s original identification is essential information which can further our scientific understanding.
In 2009, I visited the Museum’s Darwin Centre for the first time. It had been a culmination of a pilgrimage to see as many exhibitions as possible that celebrated Charles Darwin’s bicentenary of his birth that year. Little did I realise that 6 years later, as a trainee on the Identification Trainers for the Future project, I’d be lucky enough to work in the Darwin Centre itself, re-curating some of the Museum’s 80 million specimens that form the world’s most important natural history collection.
I watched with bated breath on the 14 September 2009 as Sir David Attenborough and Prince William opened the state of the art facility. It allows over 350 scientists and researchers to study zoology, botany and entomology collections to address some of the key challenges of the 21st century such as food security, biodiversity loss and disease. As Sir David Attenborough so eloquently put it:
Never has it been so important to understand the diversity of life on earth and how it is changing, if we are to tackle many of the issues that humans face today … The Darwin Centre will inspire the next generation of naturalists and scientists through its combination of scientific expertise, specimens, public dialogue, film and interactive media. It will enable all of us to explore the wonders of our world and investigate its secrets.
It was therefore a bit surreal when my curation placement actually took me to the 7th floor of the Darwin Centre in the Entomology Research and Curation Lab, where I have been asked to re-curate the Odonata of the UK. This order is split into Zygoptera (Damselflies) and Anisoptera (Dragonflies).
Hot off the press is the autumn 2015 edition of the Museum Members’ magazine evolve and for those who love the Museum’s paper collections there is plenty to read about.
Natural Histories and the mandrake
The Natural Histories collaboration between the Museum and BBC Radio 4 over the last few months included the story of nightshade plant family and in particular the role of the mandrake in early medicine and its depiction in in botanical herbal illustrations such as those held in our collections.
New Bauer Brothers art exhibition in our Images of Nature Gallery and accompanying publication
Special Collections Librarian Paul Cooper introduces our exhibition of the botanical and zoological artwork of Franz and Ferdinand Bauer. The exhibition opened on 7 November 2015 and runs until 2017. All of the artwork by the brothers on display during this period comes from the collections of the Museum Library.
Our latest publication to accompany the new Images of Nature gallery exhibition ‘The Bauer Brothers’, which opens 7 November, has been published and is now available to buy onsite and online.
We are very proud to announce our newest publication Images of Nature: The Bauer Brothers. This beautiful collection of artworks from the eighteenth and nineteenth centuries celebrates the work of Franz and Ferdinand Bauer, two of the most accomplished natural history artists of all time.
In the latest update from our Identification Trainers for the Future project, Sally Hyslop continues the story of the work our five trainees have performed thus far.
Trainee life in the Museum is often focused through a microscope and so, after many months of study, it was brilliant to refresh our zeal for the natural world this month with a field trip to the Dorset coast. We spent three days exploring dramatic cliffs and coastal heathlands: by day, putting our developing botany skills into practise, and by night, spotting bats and catching moths.
The Museum’s Fred Rumsey and Mark Spencer led us through heath and bog on a hunt for the elusive bog orchid, Hammarbya paludosa. By the end of the day we found 109 spikes of these miniscule and delicate, rare, green flowers. On top of this, we encountered blankets of dainty white beaked sedge, flowering bog asphodel and all three UK species of sticky, carnivorous sundews along with their two hybrids.
Kath Castillo, our Orchid Observers Project Officer, tells us about the orchids you can search for out in the field this month.
August is nearly here and with it the start of the holiday season, so if you are planning a walking holiday or a bit of wildlife photography in the UK, there are some stunning species on our list to look out for and photograph for Orchid Observers.
Our timetables, until now a collage of various colours, have become a very busy reality over the last two months. We got our teeth into another batch of long-anticipated ID workshops – Flowering Plants, Beetles, Flies and Earthworms. I think I speak for everyone when I say the skills and knowledge we’ve been passed by some of the leading scientific experts in the Museum have been rich, extensive and unique. Developing techniques to hoard as much of this golden information as possible have become paramount.
A new and exciting citizen science project has begun and it’s time to get involved with Orchid Observers! This research project, in partnership with Oxford University’s Zooniverse platform, aims to examine the flowering times of British orchids in relation to climate change.
In order to achieve this, we are inviting the amateur naturalist and professional botanical community, alongside nature loving citizens from across the country, to help us collect and sort orchid data.
We want you to go out in the field and photograph any of 29 selected UK orchid species and upload your images onto our dedicated website, www.orchidobservers.org. Flowering times from each of your records will then be collated and compared with the extensive Museum herbarium collection, and data from the Botanical Society of Britain & Ireland (BSBI), totalling a 180-year-long time-series of orchid records.