For July, the Orchid Observers team are simultaneously excited and fretting. We’re excited because we’re planning field trips to see the next orchids on our hit list, but we’re also concerned about the flower spikes scorching in the sun and wilting. It might be a race against the sun this month to catch July’s finest orchids. Not only that but this month’s highlight species are some of the trickiest to spot and identify. Please don’t let this deter you, take up the challenge and see if you can locate and photograph these beauties.
Crystal Palace Transition Kids and Friends of Crystal Palace Dinosaurs swab the first ever dinosaur sculptures the world had ever seen, to help us identify The Microverse. Ainslie Beattie of Crystal Palace Transition Kids and Ellinor Michel of the Museum and a member of the Friends of Crystal Palace Dinosaurs report on the event:
Looming out across the lake in front of us are dinosaurs, 160 year old dinosaurs! They look huge, ominous and exciting! These were the first ever reconstructions of extinct animals, the first animals with the name ‘dinosaur’ and they launched the ‘Dinomania’ that has enthralled us ever since.
Never before had the wonders of the fossil record been brought to life for the public to marvel at. These were the first ‘edu-tainment’, built to inform and amaze, in Crystal Palace Park in 1854. They conveyed messages of deep time recorded in the geologic record, of other animals besides people dominating past landscapes, of beauty and struggle among unknown gigantic inhabitants of lost worlds.
Most people just get to look at them from vantage points across a waterway, but not us! Transition Kids (part of Crystal Palace Transition Town) and Friends of Crystal Palace Dinosaurs arranged special access to collect data for the Museum’s ‘The Microverse’ project.
Citizen Science Project Manager Lucy Robinson introduces a Q&A with Dr Anne Jungblut for the Microverse:
In an earlier blog post, a group of students from Bedford Girls’ School described their recent visit to the Museum. The girls had taken part in The Microverse, collecting samples of microorganisms from buildings and sending them to the Museum for DNA analysis, and were keen to meet the scientists involved to find out more. We arranged for them to meet the lead researcher on the project, Dr. Anne Jungblut, to ask her some questions about the project and her wider research.
Kath Castillo, Project Officer for Orchid Observers, gives an update on what’s been happening with the project so far:
It’s been a busy time for Orchid Observers! The project got off to a great start when the website went live on the Zooniverse platform on 23 April; the very first of the season’s field records was uploaded on day one!
At the time of writing this blog we now have 567 registered users on the website who have enthusiastically completed 11,044 classifications, by verifying and transcribing data for our historical specimens and identifying species and flowering stages for around 700 photographic records already submitted by participants.
Volunteer Stephen Chandler tells us how he has been supporting The Microverse project by using computer software to identify the taxonomic groupings of the DNA sequences revealed in the sequencing machine.
Due to the size of microorganisms, we have until recent years relied on microscopes to identify different species. The advancement of scientific technologies however has made it possible for scientists to extract DNA from microorganisms, amplify that DNA into large quantities and then put the samples into a sequencing machine to reveal the genetic sequences. In The Microverse project, my role begins when the sequencer has finished processing the samples.
When the gene sequencer has finished decoding the PCR products it creates a file much like a typical excel file. The main difference is that this file can be incredibly large as it contains millions of DNA sequences belonging to hundreds if not thousands of species. This requires a powerful computer to run the analysis to identify what is in the sample.
Sally Hyslop, one of the trainees on our Identification Trainers for the Future programme, gives an update on the results of our 9-year-long Bluebell Survey:
The arrival of bluebells each spring is an iconic sight. The floods of nodding colour characterise our ancient woodlands, support a commotion of insect life and make up an important part of Britain’s natural heritage. Our native bluebell species is widespread in Britain; in fact half of the world’s population is found here. But the introduction of non-native bluebells, planted in our parks and gardens, may be threatening our native species.
The introduced Spanish bluebell is deceptively similar to our native species, except for a few subtle differences in its features. It is broader in size, its petals flare out a little more, and the pollen is not white, but characteristically blue.
Spanish bluebells can breed freely with our native species, creating a hybrid plant with features from both species. Since the Bluebell Survey started in 2006, citizen scientists have been carefully identifying bluebells across Britain and recording the whereabouts of native, non-native and hybrid forms. This helps us to investigate these changes.
On 30 April, we (eleven International Baccalaureate students from Bedford Girls’ School) had the opportunity to come and visit the Natural History Museum, having participated in the Museum’s exciting project ‘The Microverse’. For many of us, despite the fact we’d visited many times previously, we knew this time it was going to be something slightly different, being able to explore the Museum in a new, unique and fascinating light. Having spoken to Jade Cawthray, she kindly agreed to arrange a behind the scenes tour especially for us!
We were greeted by Lucy Robinson, who explained to us, as we travelled through the Museum, that within there were over 80 million different plant, animal, fossil and mineral specimens. After this, we were introduced to Dr Florin Feneru at the Angela Marmont Centre for UK Biodiversity, who confessed that he would receive specimens sent in from thousands of people each year, from the UK and abroad, in the hope that he could identify what exactly they were.
Advances in DNA sequencing technology are occurring at an incredible speed and Kevin Hopkins is one of the Museum’s Next Generation Sequencing Specialists working with the sequencing technologies used at the Museum to produce relevant data for our Microverse research.
“The challenge is being able to bring together the technology, often developed in biomedical settings, and the samples at the Museum, where limited and often damaged DNA from specimens is the only chance we have of sequencing them. My job involves designing methods that work for our unusual samples, extracting DNA and producing sequencing ready samples from it, and running our MiSeq and NextSeq next generation sequencing platforms.”
What is DNA sequencing?
DNA sequencing is the process of reading the order of nucleotide bases (adenine, guanine, cytosine and thymine) in a particular strand of DNA. Sequencing can be used for many different applications, such as defining a specific gene or a whole genome. The best way to sequence DNA is in sections; this is because there are a number of challenges to sampling the whole genome of a species in one go.
We take a diversion this week from the Microverse and our newest project, Orchid Observers, to introduce one of the projects that wouldn’t get anywhere without the general public reporting sightings, the UK Cetacean Strandings Investigation Programme (CSIP). Cetaceans are the infraorder of marine mammals that includes whales, dolphins and porpoises, and the Museum has been involved in recording their strandings on UK shores for over a century. So it’s over to Rebecca Lyal, Cetacean Strandings Support Officer at the Museum, to introduce the project and what she does as a part of it.
Warning: You may find some of the images that follow upsetting as they are of stranded and injured animals.
The CSIP was created in 1990 to unite the Museum with a consortium of interested parties to formally investigate the stranding of any cetacean, seal, shark and turtle upon the UK coastline. The Museum has actually been recording strandings since 1913 when the Crown granted it scientific research rights for the collection of data on the ‘fishes royal’.
The first recording was a Cuvier’s beaked whale that stranded in Northern Ireland during the summer of 1913. Since then there have been over 12,000 logged reports of whale, dolphin and porpoise strandings, that have ranged from the mighty blue whale to the common harbour porpoise, and even a rogue beluga whale found in Scotland.
The rich warbling song of the blackcap has welcomed us into work over the past 2 weeks! (you can hear an Eurasian blackcap, Sylvia atricapilla, as recorded by Patrick Aberg here). Not only that but we’ve had robins nesting just above the threshold of our shed with the accompanying chatter of baby birds anticipating food, holly blue butterflies visiting clusters of fresh holly flowers, sightings of orange tip, brimstone, peacock and speckled wood butterflies, tadpoles in the main pond, the occasional glimpse of a fox cub, and many more signs that Spring has well and truly sprung.
The mosaic of ground flora throughout the different habitats in the Garden is changing by the day with a particular blue haze and glorious scent of bluebells in the woodland areas.