by Robin Hansen, Curator, Minerals and Gemstones, NHM Earth Sciences
As part of the Galley Enhancements Programme to refresh the Museum’s Earth Galleries Ground Floor, we’ve been working on the specimens to improve the experience for visitors, improve collection visibility and update the science.
Coordinating Lead Author, IPBES Global Assessment and Life Sciences Research Leader at The Natural History Museum, London
The IPBES Global Assessment estimated that 1 million animal and plant species are threatened with extinction. It also documents how human actions have changed many aspects of nature and its contributions to people; but species threatened with extinction resonate with the media and the public in ways that degradation of habitats and alteration of rates of ecosystem processes perhaps don’t, so the figure was widely reported.
IPBES is the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services, an independent intergovernmental body that was established in 2012 to strenthen links between science and policy to support conservation and sustainable use of biodiversity, long-term human well-being, and sustainable development
Because only the Summary for Policymakers has so far been made available, it wasn’t clear where the figure of 1 million threatened species came from. Some journalists and researchers asked me, so I explained it to them, and will explain it again here. Some other writers, often with a long history of commenting critically on reports highlighting environmental concerns, instead railed against the Global Assessment in general and the figure of 1 million threatened species in particular. Given that these writers often advance empty or bogus arguments, I thought it would be also be useful to explain why these arguments are wrong.
I have therefore written this blog post in the form of thirteen questions and answers.
We have completed digitising the Museum’s birdwing butterfly collection. Images of more than 8000 specimens have been released onto the Museum’s data portal for anyone in the world to access. This digitisation project has enabled us to gather accurate information about what we have within our collection and this new online resource will support conservation plans to protect endangered species for the future.
As part of the Cetacean Strandings Investigation Programme (CSIP), we are often focused on the death of animal and can overlook the amazing lives of marine creatures before they sadly wash up along our coastlines. British waters are home to over 28 different species of whales, dolphins and porpoises, collectively known as cetaceans.
In the UK, the most numerous (and smallest) of these is the harbour porpoise (Phocoena phocoena). Unsurprisingly, these porpoises therefore make up the majority of strandings in the UK.
The Petrology collection at the Natural History Museum is home to about 189,000 specimens; from the rock collection to building stones, including ocean bottom deposits. The building stone collection is one of the largest documented collections of its kind in the UK, particularly useful for matching stone in historical buildings during conservation work. Beside rock samples, it features amazing pieces of art, like this paperweight in Derbyshire black marble executed by the skilled hands of one of the most prominent nineteenth-century marble makers of the time Thomas Woodruff.
Continue reading to learn more about the marble masons in Derbyshire, the stone itself, the techniques used to create the objects, and the many other works of art created out of this stone such as Samuel Birley’s table in the V&A collection.
The Museum’s Art-Science interest group (ASIG) is a forum for interesting talks and provocations, aimed at exploring interactions between science and the arts. It meets every few months.
We had our eighth meeting on Thursday 15th November 2018. It was our two year anniversary, so we were celebrating with wine, interesting talks and a growing number of ASIG participants. There were participants from the NHM, art galleries, including our neighbours the Serpentine, other museums, and universities.
2019 marks the centenary of women being allowed to join the Geological Society of London (GSL). That women might not be permitted to join any learned society today is unimaginable, and we sometimes take for granted the rights women have in today’s society. But before 1919 women were not only barred from joining the GSL, but had to have their research papers read out at meetings by their male colleague.
This blog, by Consuelo Sendino, attempts to enhance the reputation of a singular woman whose work was sadly neglected until a recent publication (Sendino et al. 2018) sought to correct that injustice and recognise her achievements.