This October, several colleagues from the insects division of the Museum attended the 25th International Congress of Entomology (ICE2016), an event that is held every four years. This year’s took place in Orlando, Florida with the theme “entomology without borders.” The Museum’s Vince Smith writes about his experiences at the world’s biggest entomological conference.
With 6,682 delegates from 102 countries, giving a staggering 5,396 presentations, the plenary sessions were more like attending a football match (in scale if not in tone) than a scientific meeting! This is the largest conference I’ve ever attended – my heartfelt congratulations to the organisers for ensuring ICE2016 ran smoothly.
The butterflies and moths amassed by avid collectors Dr EA Cockayne, Dr HBD Kettlewell and Lord Walter Rothschild make up the core of the Museum’s world famous collection of British and Irish Lepidoptera.
The Museum is digitising the Lepidoptera collection and using the data to ask important scientific questions about the effects of environmental change. Dr Cockayne passion led him to form the Cockayne Trust for Lepidoptera research, his legacy is funding the digitisation.
Be a digital volunteer for the Museum and help transcribe scientific data from microscope slides… We are so very excited to launch our latest citizen science project Miniature Lives Magnified.
As part of our Digital Collections Programme, we have imaged 100,000 microscope slides of some of the world’s smallest insects and we need your help to unlock the data from the specimen labels, so that we can uncover more of nature’s secrets.
In partnership with our good friends from the online crowdsourcing platform Notes from Nature, today we launch our first collection called ‘The killer within: wasps but not as you know them’.
Ben Price and Douglas Russell blogged recently about presentations by Museum colleagues at the Annual Meeting of the Society for the Protection of Natural History Collections (SPNHC) in Berlin, noting that delegates were passionate about the potential of digitisation to help us illustrate, research and understand our changing world. As well as presenting, we learned a lot from the other presenters and attendees, picking up some themes which are particularly relevant to our Digital Collections Programme (DCP).
The Museum’s entire collection of 181,545 British and Irish butterflies are now in a digital form and available for all to see online in the Museum’s Data Portal.
Each butterfly has a new digital image and digital record of the specimen’s collector, place and date of collection and this data are already being used to work out the effects of climate change on UK butterflies.
Museum collections are rapidly evolving in response to new research questions, innovations in digitisation and molecular analysis, and major challenges for society. It’s essential that museums work together to ensure that new ideas are exchanged and collaboration strengthened to make development more rapid and effective.
The Society for the Preservation of Natural History Collections (SPNHC) is an international society whose mission is to improve the preservation, conservation and management of natural history collections to ensure their continuing value to society. The annual conference is one of the largest gatherings of museum professionals each year and it gives us museum and conservation folk an excellent opportunity to network and share the latest cutting-edge knowledge in our field.
What do an Iguanodon’s thumb spike, an ichthyosaur paddle and a shark fin spine all have in common? Well these are just some of the specimens we’ve digitised as part of the museum’s eMesozoic project, headed by Fossil Mammal Curator Dr Pip Brewer.
For the past eight months myself and two other eMesozoic digitisers, Lyndsey Douglas and David Godfrey, have been busy in the palaeontology department mass imaging British Mesozoic vertebrates for the first time.
We have a massive digital challenge. How do we transform museum collections of millions of diverse specimens, each with complex information in many forms, into digital resources – images and data – to be used by modern science and shared across the world?
Microscope slide with a stonefly
Butterflies with QR codes
The collections have been at the centre of scientific knowledge for 300 years – how do we take them into science’s future? In the words of Rod Page from Glasgow University: how do we transform a 19th Century technology into a 21st Century technology? This is the question we have been looking at in a Cisco Pitstop at the London Digital Catapult Centre over two days in February 2016.
The ‘spatial wealth’ of the Museum’s collections is often ignored or at best under-appreciated. Most specimens if not all have a spatial locality associated with them, either written on to a label, written in a notebook, or on the specimen.
These localities can vary between very precise (e.g. a GPS-based latitude/longitude), very imprecise (e.g. ‘South America’) or, most likely, somewhere in-between. Most specimens within the Museum do not have a latitude and longitude, but do have detailed locality information on the accompanying label, which can be used to define co-ordinates for that specimen. So what is georeferencing, why do we need it, and how do we use it?